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Suburban Alchemy: 1960s New Towns and the Transformation of the American Dream. By Nicholas Dagen Bloom. (Columbus: Ohio State University Press, 2001. x, 333 pp. Cloth, $70.00, ISBN 0-8142-0874-6. Paper, $27.95, ISBN 0-8142-5075-0.) Nicholas Dagen Bloom's impressive study concentrates on the "new towns" of Reston, Virginia, Columbia, Maryland, and Irvine, California, in the last third of the twentieth century. Their stories have convinced the author that the power of urban design and master plans promote the very novelty they claim, even when they do not meet their original standards. Those suburbs responded to perceived criticisms of cultural indifference, civic apathy, and individual anomie at the heart of middle-class life. Reston's Robert Simon and Columbia's James Rouse, particularly, become inspiring catalytic developers for structured social interaction, walkable routines, the necessity of natural, woody landscapes, village and town centers, and architecture varied by style and price to ensure social class mixes. The initial developers and their resident-followers strove mightily and often successfully to realize an American communal alternative. Over time citizen initiative became more powerful and constructive than the original developer or his design. Bloom's fine critical analysis forces the reader to see the political consequences of voluntary behavior that did not originate as a conscious political orientation. The author comes to a sophisticated, layered political consciousness, precisely because of the suburb's deeply American tradition of civic power. His argument is sufficiently convincing to make one wonder if the "traditional suburb," so attractive to so many different Americans, really differed so substantially from the "new towns." Is not the convenient antithesis of "the traditional suburb" a historical construct that plays its own role in the historian's mind as well as in the shaping of any "new" suburban culture? Paul H. Mattingly |
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